An artistic update

I posted back in February about some of the stuff I’d been doing in Procreate on my iPad, and I’m overdue for another post! I haven’t been doing as much in the intervening months, as there’s been lots of other things taking up my time and I haven’t felt as inspired but I still managed to do a few.

I’ve quite enjoy using Procreate’s Acrylic brush, you can get some really nice layer and lighting effects with it, and I used only that brush for this one:

A painting of a window at night, from inside a room. There's sheer curtains over the window, a candle is on a small table at the right casting light, and there's a tall cupboard at the left in the shadows.
The Window

I don’t actually remember the brush I used for this next one, but I definitely took full advantage of Procreate’s symmetry guides so I could get it properly even:

A painting of a cybernetic woman, her eyes look like blue glass and she has green and very shiny "skin". She has a purple hood over the back of her head.
Cybernetic Woman

This next one is interesting, I was intending on the main structures that take up the top two-thirds of the image to look like a big craggy mountain range, but I showed it to Kristina and she can’t see it as anything but a tornado coming down!

A painting of a craggy grey mountain range in the top two-thirds of the image, with a river of fire making its way the whole way across the image, and a bunch of conifers at the bottom.
The River

I quite enjoy doing epic-looking landscapes, and this one ended up starting out in a very different place than it finished. It was much more brown, the feature in the middle was a river, and the sky was a sunset which I didn’t manage to get looking how I wanted. In the end it became very much inspired by the aesthetic of the Hive from Destiny!

A painting looking down a desolate grey rocky valley. A deep black rift runs down the middle with a sickly green glow at the bottom, at the left is a crystal embedded in the ground with the same green glow coming from it. At the right is a cave entrance in the valley wall with another glowing crystal. The sky is awash with stars, and the moon peeks from behind the valley peak at the far left.
The Emergence

The paintings above were all done from about March to half-way through May, then there was a bit of a break until July.

I decided to take advantage of Procreate’s drawing guide again, this time with the perspective guide. I was aiming for buildings in a futuristic city but the thing that I always struggle with is details and a sense of scale, so it didn’t turn out to be anything but big blocks. ? Still pleased with the shadows and sense of lighting though.

A very clean geometric painting of grey and blue city buildings. The sky is purple and the light is coming from the very right, the buildings casting shadows to the left.
City Buildings

This next one I did as “speed-painting”, and did it in about 45 minutes! It was a combination of the acrylic brush and a palette knife brush from a big third-party brush pack I bought.

A painting of a volcano erupting atop a hill, the hill is surrounded by taller mountains all around, and the sky above is filled with striated dark orange clouds.
Volcano

Then lastly, this one was done in August, again with Procreate’s symmetry guide on! I was going to give her a witch’s hat but couldn’t get it looking right.

A head and shoulders portrait painting of a white woman with piercing green eyes, long red hair, and dark green lipstick. She’s wearing a dark purple top, and there’s a bright light shining behind her that’s lighting up her shoulders and the very edges of her hair.
The Witch

I also had a burst of inspiration and got some more miniature painting done! I’m still working my way through the Dark Imperium box set I got nearly two years ago, but the main impetus here was Games Workshop releasing their “Contrast” line of paints. They’re essentially a base coat plus wash combined into one single coat, and they’re seriously incredible. Dark Imperium comes with twenty poxwalkers which I was dreading having to paint, but the Contrast paints made them far quicker to deal with! There’s twenty models (but only ten unique ones), and I’ve done half of them so far.

As part of doing this, I also discovered how much better the miniatures look when you apply a varnish to them! The Contrast paint specifically comes off a lot more easily than regular paint, so varnish is a necessity, but it also really makes the colours pop, they’re a lot more vibrant than without it.

Poxwalker 1
Poxwalker 2
Poxwalker 3
Poxwalker 4
Poxwalker 5

I also finally finished off the Plague Marine champion that’d been sitting there mostly-finished for months, and I’m really happy with the base I did. I had a bunch of really old Space Marines from a starter painting box that a friend had given me, so I sacrificed one of them and cut him up to adorn the base, and it looks absolutely fantastic.

Plague Marine Champion

It’s fascinating seeing the evolution of Games Workshop’s plastic miniatures, back when I started (*cough*24 years ago*cough*) plastic was the cheap and crappy option, and the pewter (or lead as they were back then!) miniatures were much more detailed. Nowadays it’s very much the reverse, the plastic is INSANELY detailed — have a look at the full-size poxwalkers on Flickr and zoom all the way in — and the pewter ones are a bit shit by comparison.

There’s also a small-scale Warhammer 40,000 game called Kill Team that I’ve started playing at work with some people, and have bought the new box set that was released in September. It’s similar to Shadespire in that your squads only have a small number of miniatures so it’s much more feasible to get them painted, but it comes with a bunch of absolutely amazing-looking terrain. I put it together and took a couple of photos prior to it being painted, just to get a sense of the scale and what the terrain looks like.

A photo of some Death Guard and Space Wolves miniatures on the new Kill Team starter box terrain. The terrain itself is unpainted grey plastic but is towering over the miniatures and has a very steampunk aesthetic to it.
A photo of some Death Guard and Space Wolves miniatures on the new Kill Team starter box terrain. The terrain itself is unpainted grey plastic but is towering over the miniatures and has a very steampunk aesthetic to it.

I’ve finished painting a couple of pieces of it, but it’s so big that I don’t have a large enough white backdrop that’ll fit the whole terrain piece! Photos will definitely be forthcoming once I do get said backdrop though. ?

Leave a Reply

Your email address will not be published. Required fields are marked *